Wainwright, true to diva form, jumped straight to opera instead, and Folds is too busy having a big old telly career at the moment to concern himself with the stage. But Minchin and Hannon have both followed my sage advice (it may not *all* have been down to me, admittedly) and while the former has a runaway hit on his hands with the superb Matilda, Hannon has quietly busied himself with putting some delightful songs to director Tom Morris's (War Horse) version of Arthur Ransome's Swallows and Amazons.
Despite being from Northern Ireland, Hannon does "quintessentially English" remarkably well. We saw that with the brilliant cricket concept album Duckworth Lewis Method (still waiting for you to perform live together again, guys) and here he has provided a charming, decidedly middle-England-tinged score and songs for this story of imagination and adventure. This isn't a fully-fledged jazz-hands musical, but then that wouldn't suit this production, which has a simple, hand-made feel - the band also act as stage-hands, using whatever happens to be lying around as props and scenery. Just like kids do.
And much as I love Hannon's songs, it really is the innovative, make-do-and-mend staging that makes this production such a joy. The first half errs on the slow side - the youngest members of the audience perhaps understandably got a little restless as we reached the 70 minute mark - but the second is a delight. We are increasingly drawn further into the children's games, and particularly the creative Titty's pirate stories, and at times are actually invited to get involved. It takes a little time to get going, but it's easily more than worth it for the moments of magic to be found in the second half.